Qwest TV Programm heute & heute Abend

Ravi Coltrane New Quartet - Live

Bei diesem Auftritt 2012 tritt Coltrane mit einer Gruppe herausragender neuer Jazzmusiker auf, darunter Pianist David Virelles, Bassist Dezron Douglas und Schlagzeuger Johnathan Blake.

Urban Village - Live

Urban Village ist im Mai 2021 auf dem Bassline Fest anlässlich des Africa Day zugegen und erteilt nebenbei eine Lektion in Ubuntu, einem empathischen Konzept, das für Versöhnung steht ..

The Nutcracker by Christian Spuck

Auf einem Märchen von Ernst Theodor Hoffmann beruhend ist "Der Nussknacker oder der Mausekönig" die Geschichte eines Nussknackers, dem Lieblingsspielzeug der kleinen Clara zu Weihnachten, der in der Nacht zum Leben erwacht, um gegen den Mausekönig zu kämpfen und Clara in ein Puppenreich zu entführen.

Miles Davis - Newport Jazz Festival

Miles Davis wurde vom Pariser Publikum im Palais des Sports besonders sehnsüchtig für seine Show erwartet. Laut Pierre Bouteiller, der den ersten Teil einleitete, war die Aufführung "die ungewöhnlichste, erstaunlichste und für manche auch die anstrengendste" des Festivals.

Carl Cox - Awakenings Festival

In dieser Aufnahme der letzten 30 Minuten von Carl Cox' Set bei Awakenings 2018 in Amsterdam zieht der britische Superstar DJ alle Register. Im Zentrum einer architektonisch eindrucksvollen Bühne mit perfekt synchronisierten Nebel- und Lichtverhältnissen trifft Cox die Menge mit einem Schwall von Techno-Stampfern.

Alfredo Rodriguez - Analogue by Qwest TV

Alfredo Rodriguez, the first guest musician in the Analogue series, encapsulates the openness of Qwest TV. Originally from Cuba, the pianist made a name for himself thanks to a remarkable duet with percussionist Pedrito Martinez, as well as with Coral Way, a recent album that captures the buzzing Miami scene. Discovered by Quincy Jones, this virtuoso is also an outstanding composer, as evidenced by this performance. Backed by a solid rhythm section and an incredible trumpeter, Rodriguez throws himself into the set, which includes the groovy Cuban-inspired “Coral Way” and the beautiful Latin-soul track “Sueño de Luz.” The highlight of this first edition of Analogue, however, is a spectacular cover of Michael Jackson's global hit “Thriller.” Brilliantly innovative, this touching tribute to Q attests to Alfredo Rodriguez's international reputation. Vincent Caffiaux Tracks: 1. Sueño De Luz (Alfredo Rodriguez) 2. Coral Way (Alfredo Rodriguez) 3. Thriller (Michael Jackson) Keyboards played by Alfredo Redriguez: Yamaha CP70, Hohner Clavinet E7, Oberheim OBXA, Moog Minimoog, Wurlitzer 200A, Yamaha CS70M, Fender Rhodes, Moog Minimoog An original and exclusive series produced by Qwest TV and taped by Le Claque Studio (Paris, France) in December 2023 Thanks to our sponsors: Flyingwave Films & iMusic School.

Shakura S'Aida - Live at Jazz à Vienne Festival

From the opening swampy, gutbucket guitar riffs by Tristan Clark, the audience at 2024’s Jazz à Vienne Festival knew it was ready for a funk-grooved party delivered by captivating vocalist Shakura S’Aida. Born in Brooklyn, raised in Switzerland and later moving to Canada, she embraces her African-American heritage. She soars into the blues, kicks out into rock, swirls into Americana, and moans in a gospel tone, such as in the final song of her set, “Clap Your Hands and Moan,” which turns into an audience singalong. Surprisingly, it’s a shame she’s not as well-known as she deserves. She did win Canada’s 2010 Maple Blues award for female artist of the year, and has consistently been nominated. She’s right at home in Vienne, speaking French to give voice to her music that is steeped in the blues, and oozes with tales of love undone and addressing adversity. She soulfully covers Neil Young’s longing hit “Heart of Gold” and at one point asks the crowd if it’s OK to do something different. With their approval S’Aida strips the band down to an acoustic sound. Both guitars are hollow-bodied six-strings with Clark on sweet slide. Drummer Aubrey Dale plays brushes for the quiet, and S’Aida sings movingly. It was a highpoint of the show that digs deep into the intensity and grace of the tune. She’s a free-spirited, personal vocalist who uplifts the crowd with her power and spark. On her Facebook page, it’s written that she “uses music as a way to unite people with a hypnotic aura.” That perfectly describes her highly commendable Vienne set. Dan Ouellette.

Music in Monk Time

Ein sehenswerter Dokumentarfilm über den Vorläufer des Klaviers, der von dem Sänger Jon Hendricks und dank unbezahlbarer Archive erzählt wird.

Leyla McCalla - The Capitalist Blues

A New Yorker of Haitian origin, Leyla McCalla is an artist of different calibre who first made a name for herself with the Carolina Chocolate Drops, before embarking on a solo career. A banjo player, guitarist and cellist, she sings in French, English and Haitian Creole. To mark the release of her album *The Capitalist Blues*, she performs here with her band composed of Dave Hammer on guitar, Peter Olynciw on electric bass and double bass and Shawn Myers on drums at the Théâtre de Saint-Quentin-en-Yvelines in France in 2019. The daring record, inspired by the socio-political climate in the United States, reflects an emotional conflict, a duality that Leyla McCalla encounters between what her spirit wishes to achieve and what society forces her to do. A contemporary sense of unease and contradiction rings true in a society where money is king. Influenced by the Cajun music rooted in New Orleans, where she has been living for some years, Leyla manages to infuse traditional melodies with Creole traditions, jazz, folk and blues, as well as a freshness and elegance all her own. Without artifice and with total sincerity, she sings with simplicity that touches our hearts and minds. **Anaïs Christidis Guillemard*.

Julian "J3PO" Pollack - Live at Sunset, Paris

Much like his friend Herbie Handcock, Julien “J3PO” Pollack has a clear passion for keyboards and technology. Broadcast live on Qwest TV on Saturday the 12th of April, 2025 – on the birthday of the man behind “Watermelon Man” and “Rock It” – J3PO’s set exudes a constant musical openness. This captivating Parisian performance recalls his sessions with internationally renowned figures in jazz and rap, including the excellent Talib Kweli. Accompanied by Riccardo Oliva on bass and Gianluca Pellerito on drums, the young American musician presents a fresh take on the trio format. Alternating between sound designer (some of the sound textures are just exquisite), composer, and virtuoso performer, J3PO reimagines “My Favorite Things” – the Broadway classic immortalized in the early ‘60s by John Coltrane – before covering, or perhaps remixing, The Beatles’ “And I Love Her,” originally sung by Paul McCartney. Positioned in close contact with the audience, the musicians give their all, channeling the creative spirit of the album Soul & Circuitry. If one track attests to this, it’s the reinterpretation of “Sly” – a piece from Hancock’s legendary album Head Hunters and a tribute to funk icon Sly Stone. Vincent Caffiaux.

Oscar Peterson's Easter Suite

1984 spielte der Pianist mit seinen treuen Trio-Begleitern eines seiner größten Werke: die Oster-Suite in neun Sätzen.

Crystal Murray - Live at Rock en Seine Festival

Crystal Murray is the epitome of the younger musical generation, boasting a promising and versatile career so far. Daughter of David Murray, the celebrated jazz saxophonist (remember his sublime work with the Gwo-Ka Masters), the young Franco-American performer extends this legacy with the utmost talent. Author of two impressive EPs, the singer effortlessly mixes electro, rap and soul in her productions. Recorded at the 2022 Parisian festival Rock en Seine, Crystal Murray delivers a particularly skilful set. The tracks are finely composed and occasionally flirt with pop, without ever losing their soulful quality. Marked by electronic sonorities, each track flows seamlessly into the next. The bass is naturally at the fore, and Crystal's voice reveals a subtle timbre. Chanted vocal parts punctuate the tracks, imbuing them with a particularly striking element of originality – especially when heard live. At times, the set is reminiscent of bands from the early ‘80s, specifically Blondie during the “Rapture” period, or equally of the multitalented Neneh Cherry. Confirming this is one of the few ballads on the setlist, a crowd-pleasing track carried by an emotive keyboard melody. Vincent Caffiaux.

Jazz Shots From The East Coast 2

Dieser zweite Teil der dem East Coast Jazz und allen dort ansässigen Musikern gewidmeten Serie präsentiert Miles Davis in einem Konzert mit John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb und dem Gil Evans Orchestra.

Antibalas - Live at Moods

Born in a Brooklyn warehouse in 1997, Antibalas are one of the most exciting acts in world music. Their references points are enough to make your head spin: formed in part as a nod to Fela’s and Africa ‘70, as well as Eddie Palmieri’s Harlem River Drive Orchestra, they take the palette of Afrobeat and mix in modern funk, the avant-garde, dub and electronic influences. Recognised by the likes of Tony Allen as well as Seun and Femi Kuti (all of whom have played with the group), Antibalas have secured the seal of approval for their handling of the Afrobeat legacy. Yet, their appeal has also led to crossover relevance in several fields, notably alongside the Dap-Kings, Bruno Mars and Mark Ronson for the smash hit "Uptown Funk." Here, they take to the famed stage at Moods Club in Zurich. Delivering a groove that is contagious from the first note, they perform a repertoire that leaves the crowd bouncing, and offer "deep unconditional love" while paying homage to "all the indigenous." **Rowan Standish Hayes*.

Kyoto Jazz Massive ft. Vanessa Freeman & Echoes Of A New Dawn Orchestra - Live at Moods

Familiar to many via the early championing of UK deejay Gilles Peterson, this Japanese (and well beyond) ensemble have lately returned to the live stage, following 15 years off the road. It’s 33 years since the Okino brothers (Shuya and Yoshihiro) formed the KJM. Here they are in 2024, playing at Moods in Zürich, led by emcee Shuya, fronted by London singer Vanessa Freeman and bolstered by the Echoes Of The New Dawn Orchestra (who aren’t as big as they sound). Aside from Okino and Freeman the band members are gathered together from Paris, featuring two co-vocalists, a pair of keyboardists, and a drumming/percussion duo to boot. On top of these, we also have guitar, bass, and one of the keys-men doubling on trumpet. It’s a full-stage spread for realising the KJM’s blend of funk-jazz, soul and disco, with lightly-smattered rock guitar licks. The first half of the gig involves a spirited rush of soul songs, but the second hour shifts into a different gear, highlighting the instrumental powers of the group, as they launch off into a series of showcase solos, turning up the jazz dial. KLM build a linear groove-pulse, with extended solos for trumpet, guitar, congas and drums. The two hour set climaxes with “Substream”, as a slap-thumb bass solo is followed by a Moog-ish stretch on the Prophet keyboard, then flies straight into a salsa-style timbales solo, before the 15 minute encore. Martin Longley.

*** Keine Informationen vorhanden ***

*** Keine Informationen vorhanden ***.

James Brown - Live at Chastain Park

"James Brown, James Brown, James Brown." His name is repeated like a mantra at the Chastain Park Amphitheatre, as if people were calling a Messiah who had swapped Christianity for funk. Although this 1985 concert’s grainy images and editing are deliciously dated and incredibly vintage (it was the pre-smartphone time when people got out lighters during ballads), the Godfather of Soul’s music sounds downright timeless. Before his fellow citizens of Georgia, the man from Augusta doesn’t look his 52 years when he puts the pedal to the metal on "I Got You (I Feel Good)" and "Get on the Good Foot." Afterwards, when he throws himself into a split for "Papa’s Got a Brand New Bag," he comes back up as if it’s nothing. As usual, James Brown sees his concert as choreography. While pushing the limits of his vocal cords, the American waves his arms to lead his band (where we find his regulars, Martha High, Maceo Parker, and St. Clair Pinckney) and get them to dance. He covers the whole length and breadth of the stage. Dressed in electric blue for the first half of the show, he changes into bright red after a surprising version of the local anthem, "Georgia on My Mind." And when he mimes his departure at the end of "Please, Please, Please" like a boxer in his robe, he returns all of a sudden to shake the audience’s hands like a campaigning politician. Singer, dancer, composer, band leader, politician, boxer, godfather, and messiah: James Brown was all of these thing at the same time. And even more. Mathieu Durand.

Avishai Cohen Quintet - Live at Jazz à Vienne Festival

The Israeli jazz scene is particularly vibrant, home to a host of strong personalities including Avishai Cohen. The double bassist’s dynamic career took a pivotal turn in the ‘90s when he met keyboardist Chick Corea. This formative encounter led to the creation of the passionate group Origin and a fruitful collaboration with Corea’s label, Stretch Records, which released several of Cohen’s albums, including the seminal Adama. Drawing inspiration from global influences as well as his own roots – including a moving exploration of Sephardic culture through the Ladino repertoire – Cohen has also proven to be a keen talent scout, as seen in his early partnership with pianist Shai Maestro. In this opening concert of the Jazz à Vienne festival, a brilliant showcase of the genre, Cohen distills more than three decades of live shows, recordings and creative projects. Backed by a stellar band – including the young pianist Itay Simovitch – the composer delivers a powerful set. Each piece flows effortlessly into the next, the quintet plays with remarkable cohesion, and certain moments are particularly captivating, such as Yuval Drabkin’s stunning improvised solo on soprano saxophone. Enhanced by the incredible setting of ancient Roman theatre in Vienne, this performance by the Avishai Cohen Quintet seems to stretch time and space – nowhere more so than in the final song, carried by an especially moving melody. Vincent Caffiaux.

Kyle Eastwood - Live at Cosmo Jazz

Bei den Eastwoods liegt das künstlerische Schaffen in der Familie. Der Sohn des Filmemachers Clint Eastwood hat sich seinerseits seit über zwanzig Jahren in der internationalen Jazzszene etabliert.

David Murray Quartet - Live at the Village Vanguard 1986

David Murray is well and truly a witness to the times. The saxophonist was a formidable free jazz artist during his early career in 70s New York, although he was not content with this label. A passionate fan of great Black music, he has come into contact with many other traditions and rhythms over the years; including Guadeloupean Gwo ka, attested to by his collaborations with the percussionists of the Gwo-Ka Masters. This approach is reminiscent of sessions by Charles Mingus such as the superb “Haitian Fight Song,” or Warner-period Miles Davis’ iconic “Amandla.” Taking the stage at the legendary New York club Village Vanguard, David Murray sets the tone with the sensuous “Couple,” a track that shines a light on the American musician’s incredible musicality. Joined by John Hicks on piano, Fred Hopkins on double bass and the inimitable Ed Blackwell on drums, the quartet deliver an impressive show that attests to their rich musical knowledge. The rhythm is supple, and the piano never intrusive. With this fine-tuned setup, David Murray allows plenty of time to develop a broad musical spectrum, giving pride of place to melody and dissonance within the same track: a hallmark of the greats. Vincent Caffiaux.

Marcus Gad "Chanting Tour"

Die aus Neukaledonien stammenden Marcus Gad & Tribe lassen diese diskrete, aber intensive Kultur mit ihren zahlreichen Facetten in soliden Reggae-Kompositionen aufleben.

João Bosco Quartet - Live at Miami Beach Bandshell

Less well-known internationally than Gilberto Gil or Caetano Veloso, though equally recommendable, João Bosco began his career alongside Vinicius de Moraes; diplomat, poet and pioneer of the sublime genre bossa nova. Following an atypical career path (he trained as an engineer), the Brazilian singer and guitarist threw himself into the deep end of the music world, writing for Elis Regina among others, before embarking on an exciting and prolific solo career. Many of the Minas Gerais native’s songs populate today’s artistic landscape, among these classics being the lively “O Bêbado e a Equilibrista” and its many versions. In this live performance recorded on May 31, 2024 at the Miami Beach Bandshell in Florida, Bosco’s striking voice reveals a broad spectrum, marked in particular by jazz. The quintet kicks the set off with a musically rich track. The guitar is heady, the scat is suave and the percussion solos are impeccable. The track “Pr​ê​t​-​à​-​Porter de Tafetá” is equally sophisticated, inviting the audience to dance. A superb track like this naturally highlights the ensemble’s virtuosity. Meanwhile, a number like “Odilê, Odilá” reveals the Brazilian performer's melodic talent through its captivating verses and highly addictive chorus. Tudo bom… Vincent Caffiaux.

Alt-J - Nuits de Fourvière Festival

alt-J hat sich sicherlich als Hauptstütze der britischen Indie-Szene etabliert, und diese Show in Les Nuits de Fourvière ist ein Beweis für das Repertoire, das sie seit ihrer Gründung im Jahr 2007 entwickelt haben.